Interstellar: Nolan Makes 2001 Contact With Final Frontier (Movie Review)

Watching the nearly three-hour experience that is Chris Nolan’s Interstellar, I expected to be bored, even sleepy. But while it was often bogged down by discussions of detailed science that may or may not be real, and which would certainly have made Isaac Asimov proud, it was lit up by spectacular cinematography and a plot that jumped from timeline to timeline, from story to story. In the process, it examined our relationship with the Earth, our family dynamics, and our understanding of what we’re called to be as individuals and a species.

Cooper (Matthew McConaughey) is a farmer because that’s what everyone has been forced to become as the Earth begins to reject humanity, but he longs to see what’s out there. When a series of events lead he and his daughter, Murph (as a girl played by Ellen Burstyn, as an adult by Jessica Chastain), into contact with an old colleague, Professor Brand (Michael Caine), Cooper heads off with the best-of-the-best to find a new world for the people of Earth to inhabit. The storyline then splits to follow Cooper and his fellow astronauts (Anne Hathaway, Wes Bentley, David Gyasi) and the artificially intelligent TARS as they travel through a wormhole, while Brand leads a team to determine if they can solve the equation of gravity to lift off a big enough ship to save what’s left of humanity to follow the explorers.

I’ve never so badly wanted to pick the brain of a scientist after seeing a movie; frankly, Nolan’s Interstellar makes Gravity appear to be a walk-in-the-park, PBS special for kids by comparison. But it’s also one of the weaknesses of the film: like a later generation Tom Clancy novel, it gets bogged down in the details of the science, solely to try and convince us that this will actually work. It’s a better film when it focuses on the humanity of the situation and allows space to wow us, to cause us to wonder, whether it’s to dead silence (they can actually hear you scream) or to the spectacular score of Hans Zimmer. It’s a stunning film, both from the bombastic sounds after moments of silence and in the way that it was filmed (two of the planets that the astronauts visit were real-world Icelandic locations – amazing!)

Movie fans will recognize that the film itself, while original in its blending of genres and stories, is derivative (most films are) with obvious nods to certain films. Disney’s The Black Hole and Wall.e came to mind, while there was a certain amount of M. Night Shyamalan and the Wachowski Brothers to the whole experience. [How shocking is it that Darren Aronofsky can’t get away with fallen angel-trees but Nolan can have audiences accepting metallic Gumbys as the future of artificial intelligence?] Nolan admits to the desire to replicate some of those previous sci-fi experiences, and it lends itself to an overarching feel that this is an old-timey kind of film: it’s not solely intent on blowing things up with explosions and gunfire (filming in Iceland rather than a green-screen studio helps). [Ironically, I thought it had strong ties to the 1997 Carl Sagan/Robert Zemeckis sci-fi drama Contact, also starring McConaughey… about a woman trying to reconnect with her father through space.] Nolan is most concerned with the story.

What would it take, Interstellar asks, for you to leave it all behind, to sacrifice everything for the good of your family… or humanity? That’s the thing that one of the film’s pivotal character proposes, that the final frontier for humanity is to get people to care about complete strangers. They will sacrifice for themselves, even people who they are close to, but they won’t sacrifice for a stranger. That, ultimately, is the big question I found Interstellar exploring: can we learn to “love our neighbor” in a way that fundamentally changes everything? Or are we content to starve, to grind in the dirt without looking up, to cease wondering, and accept that this is all there is?

Stay Tuned for Part II: Spoiler Alert!

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Esther’s Story: Time For A Hail Mary (Sunday’s Sermon Today)

With twenty-eight seconds left, trailing by four, Boston College’s Doug Flutie called “55 Flood Tip,” where all receivers ran straight routes to the end zone. Five foot, nine inch Flutie narrowly escaped a sack and from his own 37, threw the ball sixty-plus yards against thirty mile per hour winds into the waiting hands of Gerard Phelan, defeating the number one-ranked and undefeated University of Miami Hurricanes. [See for yourself.]

Now, that’s a Hail Mary. (It even earned its own name: the Miracle in Miami, but it’s actually Roger Staubach who first used the phrase when tossing a game-winner against the Minnesota Vikings, said, “I closed my eyes and said a Hail Mary.”] A miracle of football-like proportions.

Miracle: “an effect or extraordinary event in the physical world that surpasses all known human or natural powers and is ascribed to a supernatural cause; such an effect or event manifesting or considered as a work of God ; a wonder; marvel.”

Would we know a miracle if we saw one? What happens when God does intervene? What might happen if we prayed for a miracle?

The background to our story: Persian king Xerxes’ previous queen, Vashti, refused to enter the throne room and show off for a banquet, and this displeased not only Xerxes but also all of his advisors. Befuddled by her refusal, the king asked his advisors what he should do about it. Seriously, this guy thought he should be offended but he didn’t know what to do about it, so he let his buddies decide for him!

So these men advise the king to exile his queen from his presence, to teach the women of Persia what happens when they disobey their husbands. (This basically sets male-female relations back decades I’m sure.) But the end result is that the king needs a queen and an open call goes out.

Esther is one of the beautiful young women brought in, and she hides that she is Jewish. She’s one of God’s people who are living in the occupied lands, a second citizen. But Xerxes finds her beautiful and she ends up being his queen. And that’s when the story gets interesting.

Xerxes has two newer advisors, who are helping him with policies. One is Persian, Haman, and the other is Jewish, Mordecai, who also happens to be Esther’s uncle and primary caregiver. We can almost see the lines drawn!

Haman bends the king’s ear, and let’s face it, we know he’s pretty soft because the advisors told him to get rid of his wife and he did. Haman urges the king to sign into law that it’s open season on the Jews, and Haman will deliver a bribe to the king’s treasury. Who can stop this assault on God’s people?

Bum, bum, bum!

It’s Esther’s book so we figure she must end up back in the limelight and so she does. This is the time in the story when I’ve preached about seizing the moment, about stepping up to your time, about accepting that “with great power comes great responsibility” (even though it’s a shame that has something to do with a really bad trio of Spiderman movies!)

All of that is still true.

But I noticed three different things as I reflected on the story this year. First, there’s what actually happens at the end of the story; second, what is done by Esther, Mordecai, and others to make it happen; and third, the attitude Esther takes.

The stakes are pretty high. Everyone knows what happened to Vashti and Esther is no different. She tells Mordecai in Esther 4:11: “All the king’s officials and the people of the royal provinces know that for any man or woman who approaches the king in the inner court without being summoned the king has but one law: that they be put to death unless the king extends the gold scepter to them and spares their lives. But thirty days have passed since I was called to go to the king.”

Esther is not supposed to go to the king for anything: chitchat, vacation plans, an argument to save her people from extinction. On the pain of death! The king could’ve extended pardon to Vashti and didn’t, so what expectation could there be that he would condone Esther’s boldness?

Of course, Mordecai argues famously that Esther shouldn’t expect to be kept safe, that her silence would condemn her family to death (4:13-14). It’s interesting, in comparison to another “go forth and expect a miracle” like what happens in Joshua, that Mordecai doesn’t say encouraging things.

Mordecai doesn’t remind her that God is with her.

Mordecai doesn’t ask her to pray about.

Mordecai tells her that this is her purpose, to go do it.

And Esther, potentially a teen at this point (again, another teenager put in a position to make a difference, to go big or go home, like Mary herself), tells Mordecai to ask the Jews across the capital to do things.

To fast and to pray.

To focus on one thing and one thing only: asking God to intercede on their people’s behalf, as Esther represents them by entering the throne room uninvited.

Mordecai puts all of this in practical order. “You’re there, you do this.”

Esther puts it back on the community’s relationship with God. Esther knows she can’t do it herself, that if she succeeds, this won’t be about her. Esther calls out her ‘church’ and tells them that if they want to see change happen, then they need to pray about it.

Now, let’s consider that. What is your first move when you’re called on and called out to do something miraculous? When someone you know is sick, or struggling, or when you are dealing with tragedy?

Too often, it seems like our first reaction is to kvetch, a good Jewish word for complaining. We want to get heard, we want to make our grievances known. We want someone to feel sorry for us.

But Esther doesn’t do that. She recognizes that this is what she needs to do, but she’s putting it fully in the presence of God and demanding that her fellow believers be involved, too. Esther is absolutely clear about where the power for this challenge will come from.

That generates the second point: Esther is unashamed, unrepentant, undeterred. So this young queen does go boldly before the throne. That always reminds me of the hymn, “And Can It Be”:

No condemnation now I dread;
Jesus, and all in him, is mine;
alive in him, my living Head,
and clothed in righteousness divine,
bold I approach th’ eternal throne,
and claim the crown, through Christ my own.

Esther does go big, unsure of the outcome but sure of her purpose; she knows why and for whom she goes. She knows people are praying, and that if God wants her to succeed, he’ll make it happen. Esther is comfortable with her own skin, with her own decision, and steadfast in her faith.

Win or lose, she’s all in.

And then the scepter does get extended. Esther ends up interceding on the behalf of her people. Mordecai’s leadership, Esther’s boldness, and the people’s prayers are evident.

Because the third point of this story that I have regularly missed is this:

A miracle occurs.

A woman’s boldness and spirit overcomes a weak-willed king’s pride. Because God was in it.

I’ve heard the phrase before, “If God is in it, it can’t fail.”

That’s what Esther experiences. She throws up a hail Mary, the one thing that might work and prays about it. It’s a desperate move, a game on the line move, a “there’s no coming back from this” kind of move. It’s a faith move.

A miracle, a movement, a community in prayer. A community that is bonded together not because things are good but because they wrestle with what’s not good. It’s a family bonded, a team formed, because of the way their leadership dealt with adversity. And it’s the same kind of Christian life style that Paul proposes for us in Romans 1 because it’s the model he also set himself.

-Paul keeps his church in his prayers.

-Paul seeks mutual encouragement in faith with them.

-Paul is unashamed, because he fully relies on God, and the power of the gospel to bring righteousness by faith.

So, I’ll ask you: what do you need to pray about today, right now?  What do you need to enlist others in praying about, because “the prayer of a righteous person is powerful and effective” (James 5:16)? What do you need to recognize is impossible without God? What do you need to embrace boldly about yourself, and about the good news that Jesus Christ died on the cross for you, and for everyone else?

The answers to those questions only lead to bigger ones, like, “what would you do if you knew you couldn’t fail?” They move from what you think and feel and pray to “so what are you going to do about it?”

It’s not about your 401k, or your future earnings, or your family’s happiness. Those things do matter but that’s not what the story of Esther is about.

No, the story of Esther is about recognizing that God will use us if we’re willing to be used, that when God is in it that it can’t fail, that there are things in life that will only happen because of a miracle. Do miracles happen all the time? No. Do we always get what we pray or wish for? No. But the news is full of stories about things that didn’t happen the way we wish they would have, so I asked my Facebook friends what miracles they’d experienced and these are the stories that were sent back to me.

-The story of little four-year-old Wrenn who needed a double-lung transplant, whose mother remembers the helicopter landing on the roof of the hospital and thinking, “those are my baby’s lungs!”

-The story of William, who only had one lung already, but who went in to find out which part of his cancerous second lung they’d have to remove, only to discover that all of the prayers for him had resulted in no spots whatsoever.

-The story of Sherri, who was diagnosed with terminal cancer years ago, but who continues to get good reports about her cancer, and the fact that it is being reduced – thought impossible before!

-The story of the Society of St. Andrews, a project thought impossible, to stop hunger in Virginia by gleaning potatoes, that has fed tens of thousands of people for thirty years with 700 million pounds of produce.

-The story of Mackenzie Grace, a little girl I baptized and who gives me hugs every Sunday when she sees me, whose mother was told that she would never be able to eat or breathe on her own, and was potentially stillborn.

-The story of Addie, born four and half months early. The doctors were not 100% that she would live because she has cerebral palsy, as well as many other health issues. She turns 10 in March and is thriving, despite the many obstacles she has overcome, blessing the people who know her!

-The story of another William, who was born fifty-two years ago, weighing one pound and four ounces. All the doctors told his parents that he would not survive or if, by chance he did, he would be blind and handicapped. Heartbroken, his parents had him baptized, and he was so small, the pastor asked the nurse to hold his little body. He had no fingernails or pallet formed in his mouth. His skin was so thin he was literally blue! His mother My mother said that while she was crying and praying for William, Jesus would come to the foot of her bed and tell her “everything will be well”! Fifty-two years later, William is alive and kicking!

Those are real-world-your-pastor-didn’t-make-them-up miracles. What miracles should you reflect on today and recognize?

I know that one of the commonalities I noticed was that people focused on healing when they talked about miracles.

Not people overcoming addiction.

Not people being found who were missing.

Not the thing Paul would’ve said was the greatest miracle of all: that God saved him from his sins through the death of Jesus and his resurrection.

But the healings get our attention because they defy our expectations. They’re the Hail Mary we know we have no control over. We can only pray.

They’re the Hail Marys we fully put in God’s hands, knowing there’s nothing else that’ll work.

There are people today who needs miracles. And there are people here today who should be miracle workers. There are prayers we could be making on our behalf and on the behalf of others. For their physical bodies, for their physical healing, for their spirits and their souls.

We have that power for healing one way or another: to pray for them.

Prayer doesn’t change God- it changes us. It puts us in position to understand miracles when they appear.

Are you boldly approaching the throne, in prayer and action?

Do you believe in miracles?

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On Veterans Day (A Mustard Seed Musing)

I’ve never been in the military; in fact, I’m a conscientious objector. But I grew up near the Naval War College in Newport, RI, and my friends were the children of soldiers; I pastor a church a few miles from Fort Lee, and welcome in soldiers coming here to learn. And on days like today, my mind rolls through the list of friends and family who serve and have served. And I think about how blessed we are to live in a country defended by people who follow God with all their hearts and choose to put their lives on the line to defend the freedoms we take for granted.

Like Veterans Day sales.

Like firing off our opinions in the paper, on the radio, and on the internet.

Like marrying who we want to, voting for who we want to, and living where we want to.

Like worshipping where we want to worship, or not worshipping at all.

I think about our grandfathers and grandmothers on both sides of my family. I think about people like my first youth group leader, Kelly Brown, and my colleagues in ministry, AJ Gunther, Charlie Johnson, and Lem Pearsall. I think about my “kids” (and their spouses) who have grown up from being my youth or college students who now serve like Chris Allen, Robert Crawford, Chris Rossi, Jeremy Stout. I think about the soldiers-in-training who have come through my church that I’ve pastored, like Bill Battles, Derek Brodt, Nate Herndon, Mike Humphrey, Brian Normand, Chelsea Prahl, and Bambi Sisco.  It seems like such a small thing, but to name them, I remember.

And as you and I move quickly through another Veterans Day, I raise my prayers heavenward, thanking God for these men and women, and for many others. And I pray to the great God of the universe that the kingdom of heaven would come and God’s will would be done, and that peace in the Middle East, peace at home, peace between families, and nations, and cultures would come.

On earth as it is in heaven.

So today, I ask that if you read this, that you would stop and pray for a veteran, serving now or in the past, and that if you encounter one, that you would thank them. And never stop praying for peace. 

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Dogs Of War: Who Supports Our Veterans? (TV Preview)

What happens when veterans return from the war but they’re broken in body and soul? They’re clinically diagnosed with PTSD (Post Traumatic Stress Disorder) but how they get through that journey varies. So, when  three-tour veteran of the Iraq wars, Jim Stanek, discovered that a dog could help him through it, he and his wife launched Paws & Stripes to rescue condemned dogs and pair them with veterans who need a partner in the process. A&E will premiere their new series about their story, Dogs of War, tonight at 10 p.m. [Watch the preview here.]

The first episode features Michael, a vet who has been struggling with PTSD for ten years, with night terrors, jumping at noises, and paranoia about who is behind him. So when he meets the Staneks, he begins the process of being paired with a dog, a lovable rescue named Tenessee, and the training that follows for both of them. The first step is that Michael renames the dog with the Cherokee word for “my six,” the first movement toward Michael recognizing that someone has his back.

The healing that happens works between humans and dogs, but it also occurs when Michael gets some tough love from someone who has been there before, Jim Stanek. It’s not instantaneous change, not ‘done’ and finished, but it’s a real-world healing that takes place, thanks to some brothers looking out for each other, some families recognizing their veterans’ needs, and some canine friends who need a place to call their own just like the vets.

The episode I previewed was powerful. I’m no big animal person, but the impact of the Tennesse/My Six on Michael? It’s undeniable, poignant, and hopeful. As far as Veterans Day tributes go, this is a great place to start.

The show moves to Sundays, starting on November 16. 

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Is Reading Fundamental? (A Mustard Seed Musing)

As a father, husband, pastor, blogger, adult, etc. I know I get to the end of the day, and sometimes the last thing I feel capable of is opening a book and providing non-robotic, out-loud reading. It would be easier to tuck the kids in, listen to some prayers, and retire to the couch for mindless Blue Bloods watching, a snack, and scrolling Facebook. But when I saw the impact that reading had on local school children one day, it completely changed my attitude.

I remember asking, “If reading to these kids brings them this much joy, why won’t I read to my own kids every night?”

In my family, the stories come up periodically about how my parents used to read to me each night until they were hoarse… or until my dad fell asleep mid-sentence. I don’t know if those are true or apocryphal, but I do know that every morning before breakfast, we read out of age-appropriate Bibles. I know my parents instilled in me a love of reading, a love of God, and a love of story. I know I was picked on at the bus stop and at school because I always had a book in my hand, and terms like “nerd” and “geek” were thrown around a lot.

But in the words of Trip Lee, “I think I still turned out awesome.”

Quite frankly, I want the same things for my kids. I don’t need statistics and studies to show me the impact of reading on imagination, intelligence, and communication. I can see it in the broad range of education, socioeconomics, and interaction with the diverse range of kids coming to my church. I can see it in the way that several of those kids don’t want to read – and then I find out they are borderline illiterate – or the way that others hunger for stories from the Bible and associated children stories be read out loud. [It’s also been highlighted by the twenty-plus kids who have come to our church in the last month who didn’t own a Bible. Seriously, where are the Gideons?] I can see it in the ways that adults hunger for “story,” for the reminder that they’re not alone, whether it’s through Biblical texts or cinematic narratives that point out that others struggle with the same things.

If you’re reading this today, and you don’t read to a kid (I don’t care whether it’s your offspring or not), you should. It’s someone’s kid (God’s kid if you prefer to look at it that way) and everyone deserves to have their imagination be grown and to be reminded that they’re loved.

You don’t even have to read with different voices. Just read.

Me? I’m off to read to another elementary school class. And tonight, I’ve got a date with a couple of kids and chapter four of How to Train Your Dragon.

 

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The Hobbit Desolation of Smaug Extended Edition: Fire-Breathing Encore (Movie Review)

The middle installment of the tri-part Hobbit, The Desolation of Smaug, received the extended version treatment with an additional twenty-five minutes included from director Peter Jackson’s original footage of the film. The story doesn’t change much: the mission that first brought Bilbo (Martin Freeman), Gandalf (Ian McKellan), and the dwarves together in a confrontation with Smaug the dragon (Benedict Cumberbatch, voicing) remains an exciting segment in J.R.R. Tolkien’s fantastic tale of adventure, courage, and community. But in Warner Bros.’ five-disc collection, we’re treated to the deepening of the mythos in additional details and a wealth of special features that add hours to our background knowledge.

The majority of the special features revolve around the characters and sets of the second film: from Laketown to the Lonely Mountain/Erebor (where Smaug is), and from Smaug himself to more of the peripheral characters, like Thrain. For fans interested in how Jackson could take Tolkien’s work and rework or imagine it from the printed page to the screen, and build in enough of what we expect from the out-of-sequence layering of the movies without giving too much away, these “Appendices” are a dream.

Still, for all of the special features, the allure for me remains in the story. We aren’t to know how all of this plays out (like we haven’t all seen or read the LOTR trilogy), but we can see that there are brave men, wizards, hobbits, dwarves, and elves who aspire to be brave, great, and good. We can see how they battle great evil, even hopelessly great evil, again and again, even though the odds (and dragons) are stacked against them. But underneath an overwhelmingly fantastic grand scope, there are the smaller stories of each of the individuals, some of whom will rise to be greater than they imagine, while some of them succumb to their lesser instincts, their sin and selfish motivations, and fall from the range of hero to failures, villains, or something worse.

This is the greatness of Tolkien (and Jackson): telling stories of fantasies and Middle Earths in a way that we are entertained, and ultimately realize that these parables are about us, and about who we might become if we would rise, and accept the challenges put before us by prophets, wizards, prophecies, life, and God himself. I was significantly down on the first third of The Hobbit, but thanks to a better story and solid depiction of Smaug, I’m digging this middle third. Here’s hoping that The Battle of the Five Armies will rock as well as The Return of the King!

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Big Hero 6: Embrace Your Gift (Movie Review)

Meet Baymax. He’s an artificial intelligence created by Tadashi Hamada in San Frantokyo to help heal people, who becomes the pet project of Hamada’s younger brother, Hiro, after Hamada dies in a fire. Baymax provides much of the comedy in this one, but he also proves to be like the characters we’ve met in Short CircuitA.I., and Pinnochio, who learns human tendencies and develops a soul.

The latest Disney movie is straight out of the Marvel Comics catalogue. (No, really, it is.) With a team of technology-induced superheroes rallying behind a fourteen-year-old, this one channels The IncrediblesStargateThe Avengers, and some origin material that certainly puts it in the path of a franchise as well. Splashy, realistic animation and some dramatic scenes make for a solid combination that will pleased the kids (and this comic book-loving dad, too).

Hiro discovers that his brother’s death wasn’t accidental, and he revamps Baymax to be a warrior of sorts. Linking up with Hamada’s four inventor friends, they become the Big Hero 6. But the plot takes some interesting turns that most kids (and some adults) won’t see coming to create more drama than we’ve seen in plenty of the last decade’s Disney movies. The film also challenges us with some big issues, like grief, sacrifice, revenge, and heroism that may go over the heads of some kids, but could lead to interesting conversations with others. [It should also be noted that the short before Big Hero 6, “Feast,” touches on grief, relationships, and finding home in less than five minutes better than some movies, or sermons, do.]

The journey of Hiro is ultimately about recognizing that decade’s old Marvel axiom: “with great power comes great responsibility.” We meet Hiro battling street bots for fun and marginal cash; thanks to his brother’s insistence and his desire to fix himself while he’s grieving, he recognizes that he has powers he never imagined- and that’s not just what he can build. Hiro has leadership qualities and courage, and it’s when he’s pushed to extremes that he finds himself stepping up and making a difference.

I don’t know if Big Hero 6 was great, but it didn’t need to be. It was beautiful to watch, fun to laugh along with, and exciting enough to hold the audience’s attention. And, in what is a rarity these days, it was an excellent enough experience that the last sounds we heard as we left the theater were the cheers and claps of a delighted audience. Big Hero 6 knew what it was, and it succeeded and “I am satisfied with my care.”

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The Better Angels: Boy To Man In Black & White (Movie Review)

Watching the early years of Abraham Lincoln’s life as laid out across the black and white canvas of The Better Angels, one gets the distinct impression that writer/director A.J. Edwards spent a significant amount of time watching The Tree of Life and the annotated works of Terrence Malick. Malick himself serves as a producer here, and the flavor of the film is decidedly dreamlike as we watch young Lincoln (Braydon Denney) shaped by those adults invested in his upbringing. It’s Lincoln’s story but it’s told through the eyes, and narration, of Lincoln’s cousin, Dennis Hanks, as he recounts how the boy became a man.

Lincoln’s parents, Thomas (Jason Clarke, Rise of the Planet of the Apes) and Nancy (Brit Marling, The East), balance each other out, one harsh and realistic and the other earthy and ephemeral. But his mother passes away when Lincoln is merely nine years old, and Sarah (Diane Kruger) becomes his primary female influence. It’s these three adults who shape him per Edwards’ script, and yet, it matters less who the film is about and much more about how it’s filmed and painted across the screen.

More often than not, we’re lulled into a sense where the natural ambient noise or Hanan Townshend’s score is enough to provide a backdrop to the film and we don’t actually need dialogue. One could talk about the plot, and about the ways that Christian Protestantism is worked in through the words of those who raise Lincoln or the preacher, the way that God’s benevolence is sought and believed in, even while tragedy strikes in this tough, natural world. But it’s really the sense of the movie that one walks away with: the beauty of water flowing, the sense of trees and sky, the way that these child actors and their seasoned adult colleagues portray a simplification of life and spirit that stands in sharp contrast to our overly-complicated lives.

I didn’t love The Better Angels but I was strangely entertained, intrigued by the film’s sense of itself in black and white with a score that matched what was shown. We sense the love of Lincoln’s mother, the desire for approval from his father, the maternalistic care of his sister. It’s a testimony to the power of the Lincoln story, and a smart entry for those looking to build on Spielberg’s Lincoln. Dreamy and ethereal, it paints a picture we can believe in of the one of our nation’s great thinkers, and leaders, as a boy who becomes a man.

 

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Why Story Matters (A Mustard Seed Musing)

Originally published through the blog connected to Context with Lorna Dueck: Life Beyond the Headlines in Canada.

Why does ‘story’ matter? Why does what we watch on television, venture to the movies, or crack open a book matter? What difference can a story make to our lives in the here and now, and for all eternity?

At its most basic, story is the narrative that drives action, even depicts inaction. Story shows the choices that are made, the causes and effects, the consequences and the aftermath. Story is the lifeblood to our lives, whether it is lived out or observed, told over a cup of coffee or read about via Facebook. Communicating stories connects us to each other, across space and time, in ways we may never fully grasp because they move something in us internally, spiritually.

When you view story from a religious standpoint, specifically a Judeo-Christian one, the depth of “story’s” influence grows exponentially. “In the beginning” is as crucial to storytelling as “happily ever after,” because it shows us where we came from regardless of whether it is interpreted literally or metaphorically. From this auspicious and Spirit-invoked start, Jews and Christians are ushered into the story as they are “made in the image of God,” experiencing the highs of conquest and the lows of sin. It is this narrative passed on orally, generation to generation, that forms the core of the Old Testament scriptures.

As the story grows, we meet those who try, faithfully or not, to follow the directions of God who draws them into the story. Finally, but not in conclusion, we meet the person Jesus, “the word made flesh,” who proceeds to live out a life narrative mixed with teaching (by way of metaphors or parables) and instructing his followers that they are part of the narrative that God has been working in human history… since “in the beginning.” It is a narrative interweaving God’s mighty acts in history, but it is also a reminder of the truth of the simplest Christian message: “for God so loved the world.” All of this culminates in the ultimate narrative coda: the self-sacrificing Christ figure who dies innocently (a semi-colon that would seem to be a period) but who rises again (the ultimate “but…” followed by an exclamation point)! But this is not the end of the story: it’s our introduction into it ourselves.

This overarching story sets up a ripple effect of responses to the story, arching out from the core belief that God is a loving Creator who has a positive future in mind. We acknowledge through the process that there is evil, and that things are not right, so that tension occurs between the now and the not yet; we see that while evil (and we have evil laid out in its supernatural and humanity-driven ways in this narrative) may win the day, it has already lost eternally. This is why I can tell my children that the “good guys win in the end” because even when they are losing, and even in stories that end poorly for the heroes, that is not how the “Story” ends.

It is why we gravitate toward Star Wars and superheroes, why we find ourselves seeking out the stories from playing fields where athletes bench competitiveness for compassion, why we seek out opportunities for heroism and sacrifice because we want to be a redeeming and redeemed part of the Story. The story of God in our hearts, reflecting our being made in God’s image, draws us like a magnet from ourselves toward stories both real and imagined that make us part of the Story. They make us believe we could be more because we’ve been called, inspired, loved, redeemed, and challenged to make that Story, or the Story’s kingdom, here upon the earth.

“In the beginning…”

“For God so loved the world…”

“Thy kingdom come…”

The Story welcomes us in.

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The Overnighters: When Ministry Gets Messy (Movie Review)

You and I are a whole lot more alike than we are different. We’re broken. And we’re in this together.– Rev. Jay Reinke, to a homeless worker

Pastor Jay Reinke never meant to start a program for homeless workers in Williston, North Dakota, when the town was flooded by workers seeking to break into the $15/hour oil business. But somehow, his Concordia Lutheran church becomes a lightning rod for both the men who need a place to stay and for changing the psyche of the town. Because doing good work is important, especially for churches, but not everyone is ready to welcome the stranger, to clothe the naked, to feed the hungry, and care for the sick. Throw in that some of these men are ex-cons seeking employment (and a place to stay) and you have a full recipe for examining how well the church today follows through on the “five-fingered” gospel laid out by Jesus in Matthew 25, brought to life by Jesse Moss’ excellent documentary.

The church isn’t just the periphery- it’s right in the middle of this. There’s the need of the men who desperately seek somewhere to stay, and the need of the parishioners who were already there, who resent the incursion of these strangers and what they represent. [It’s safe to say that fracking itself will raise some eyebrows depending on your political bent, but we have Matt Damon’s Promised Land for that, right?] Is it the physical aspects of the exploration and use of the land, is it the fact that these people are strangers, or is it the expectations of people based on what they see in the news (there is a traveler-perpetrated murder that stirs up concern) that cause the friction? It seems to be all of the above- and having worked with transient populations in and out of the church, the concerns aren’t strange. [Father Gregory Boyle’s book, Tattoos on the Heart, even lays out the apt scenario where congregants complain about how their church smells.]

The film itself has been nominated for award at Sundance, Miami International, and the Full Frame Film Festival; at Sundance, Moss took home the U.S. Documentary Special Jury Award for Achievement for Intuitive Filmmaking. It’s that good. And quite frankly, it highlights the kind of situations that we face in the world today- and topics that are wildly more widespread than just in North Dakota. How does your church or community handle people who look or act differently? What are the requirements for service or care (or membership)? What are the disqualifications of those for service or care? What is your comfort level for working with others, and what would you do to go outside of it? What does it mean to care for our neighbors- and how are we anything different than the rich young ruler who asks Jesus, “who is my neighbor?”

Pastorally, I was incredibly intrigued by the conversations that Reinke had and some of the real-life stories and perspectives  that some of the men, the pastor, and parishioners were willing to share onscreen. Put the homelessness aside: these are people giving reasons why they don’t feel welcome in church, why they don’t believe they’re redeemable or worthy of love! Again, this is heavy-duty, real-world, people-who-need-love kind of stuff, and Moss’ ability to get people to trust him with their stories is phenomenal.

The camera doesn’t blink when it comes to other dissenting views, even if it means that Reinke doesn’t always look great (or worse). Did he kick one guy out of his house to bring in another, just to make a point? Did he slip one guy money and tell another he couldn’t get a floor space because he had a car? Are his motivations for why he does what he does that fuzzy? The answer to all of them is probably “yes” – because humanity works that way. It’s not black and white; it’s complicated. And rarely have I had a documentary move me this way; it instantly rises in my list of movies most deserving of Oscar consideration this year.

If you’re going to see one documentary this year, see this one.

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